It’s rather effective at removing all sorts of things from a photograph, such as dust, small objects, clouds and strange artifacts. What is Non-Destructive Editing in Photoshop? without losing the changes. Very recently when I released the fully automated successor of the manual iSGM method with the Artisan Pro X panel, the negative qualifications, have only increased. The purists, swearing by the traditional ‘non-destructive workflow’ remind me too much of the people who find gear, megapixels, sharpness, and such, more important than just creating and enjoying great art. it’s not doable anymore to keep all adjustments in separate adjustment layers and leave them all in one file together with the channels. Because nondestructive editing doesn’t remove data from an image, the image quality doesn’t degrade when you make edits. No, if you’re the type of artist to whom the end-result matters and it just happens to be better in terms of result and subtlety. The image shows 50 major iterations representing key-moments in the workflow to fall back to. That subtlety is a  key feature of my work and of my method. ‘Technique is just a means of arriving at a statement‘, to quote Jackson Pollock. There are many other ways to change the color of something in Photoshop and they’re way better than this. In the following screenshots, you see how I set up my files and even though I only have 6 layers in the B&W photo and no channels, it’s already 2.5Gb. If you’re a photographer, you definitely want to familiarize yourself with this tool. But sometimes I do some changes in the raw-converter afterwards with the smart-object to adjust the color-temperature or the exposure of the image. Methods for nondestructive editing in Photoshop include working with adjustment layers, converting layers to smart objects, cropping nondestructively and … The ‘grand’ and traditional method, encouraged by Adobe and all its protagonists, that is considered nondestructive, is a way of post-processing where each adjustment is being represented by an adjustment layer. To impose a specific way of working onto your artistic intentions is absurd and you’re setting yourself up for missed opportunities only to comply rigidly with that traditional workflow. The RAW file is backed up on various drives. You can perform nondestructive editing in Photoshop in several ways: Adjustment layers apply color and tonal adjustments to an What is this traditional method of processing in Photoshop? That’s your prerogative of course, but to then disqualify other methods as inferior or destructive says more about the person dismissing other methods than about the method. Photoshop filters, layers, masking, and transform controls are the basic building blocks for editing images. Vector Masks and Other Non-Destructive Editing Techniques. The Major Differences Between Destructive And Non-Destructive Editing. If I didn’t see the mistake at iteration 41 I should find myself another profession. Post questions and get answers from experts. Add to that the channels that contain your masks and you’re setting yourself up for a PS crash, or at the very minimum, substantially decreased computer performance, even though PS has no restrictions anymore to file size. Is that degrading the image quality to a lesser extent than when you don’t work with adjustment layers, hence in a ‘destructive way’, but you don’t replace the sky but instead solve your ‘sky issue’ in a more traditional way, using all the knowledge you have about light, contrasts and tonal relationships, with the same photo? I would argue that if you replace that sky from another photo you’re actually degrading the image quality more than by not replacing it. Let me illustrate this with an example: replacing skies in an image is quite ‘the thing’ these days. Processing metadata and sidecar files. And this cannot as easily be achieved, practically and technically with the traditional method […]. And I’m not only referring to my alternative way of processing, because from what I’ve seen there are many of you out there, not working according to the traditional Photoshop way. An image created with an alternative, non-traditional workflow, called iSGM, a workflow that is considered to be ‘destructive’. So now the traditional and alternative workflows have been summarized, what type of workflow should you go for? Reasons that go beyond ‘destructive’ or ‘nondestructive’ qualifications and demonstrate that other criteria should be more important in the process of creation. Selecting a region changes the language and/or content on Adobe.com. There’s not one workflow that is unequivocally, objectively and factually the best. (c) Copyright, Joel Tjintjelaar – ING house Amsterdam. When we talk about destructive versus non destructive in Photoshop, we're not specifically referring to any particular tool or feature, we're talking about a way of working. In this way, as the layers built up with each tone change, the layers below would remain adjustable, and previous layers could have opacity and fill values adjusted later. So in the language of destructive vs non-destructive, your workflow could actually be called “constructive”. to revert to it. If you realize you made a mistake after already saving, then you’ll probably have to start over. Typically I have around 10 hard masks. Camera Raw stores adjustment settings on from an image, the image quality doesn’t degrade when you make edits. Photoshop wields a lot of power when it comes to creating, editing, and manipulating imagery. A typical layer structure for a B&W iteration: 6 layers, each layer consisting of dozens of small subtle changes that have been merged down to a layer with an intermediate result representing an object/sub-object, an area/sub-area, or detail. That’s the workflow you get when you don’t back up your raw files and then your computer crashes . A personal style that puts emphasis on subtlety in tonal ranges, contrasts and especially transitions, in, across, throughout and between, the darkest, the brightest and all midrange tones. There are alternative ways of processing that are just as non-destructive and might bring you closer, faster and more accurately to realizing your artistic vision than with the traditional way. Filesize is 2.5 Gb. After you create a cropping rectangle with the Crop tool, select Hide from the options bar to preserve the cropped area in a layer. At this point, you’re probably starting to see the differences between destructive and non-destructive editing in Photoshop. (c) Copyright, Joel Tjintjelaar – ING house Amsterdam. One of the benefits of using layers in Photoshop is to edit pictures in a non-destructive way. The best workflow is the one that suits your needs the best. editing allows you to make changes to an image without overwriting Opening Camera Raw files as Smart Objects. Maybe an check-box could select between empty layer method and the legacy method as user wishes. An article on destructive and nondestructive editing in Photoshop to broaden your horizon and to also consider so-called 'destructive editing'. An important technical reason for not working according to the traditional workflow: with the traditional workflow I would end up with anything between 500 to a few thousand layers due to the way I build up a specific result through many small subtle changes instead of one big change. You can’t even re-edit some adjustment you’ve done if you haven’t done it in the correct way. You always want to work non-destructively so that you can go back to original image whenever you have made any mistake. I am in almost complete agreement with your article Joel. Once you edit a Camera Anyway, to respond to your suggestion: I think it’s a very interesting idea. Here are some numbers to illustrate what PS can handle, but looking at the maximum numbers and filesizes, they are very academic – most computers will already significantly slow down between 5 and 10 Gb. Before you can edit Camera Raw files in Photoshop, you must The answer is yes, if you’re a purist, no matter if the result of those eliminated layers, were never the result that mattered and where intended to be temporary. re‑edit the masks without losing the pixels they hide. The red arrow indicates the final iteration, ready to be presented and printed. They’re just recommendations. the original image data, which remains available in case you want A powerful, yet easily destructive set of tools in Photoshop, are the dodge & burn tools. Hi Andrew, first apologies for my late response, I normally get notifications but with the enormous amount of spam people are dumping on my website through the ‘contact me’ section of my website (thanks to all the spammers in this world), this comment of yours has gone completely unnoticed. a per-image basis separately from the original image files. Adjusting variations, shadows, and highlights with Luminosity masks are never stored since they can always be generated automatically with my B&W Artisan pro panel. Those alternative ways of post-processing aren’t born out of ignorance, lack of professionalism or plain stubbornness, but are born out of a necessity to match and enable an artistic style or preference that otherwise wouldn’t be possible. (c) Copyright 2009-2020 - Joel Tjintjelaar - BWVISION.COM, imaginary conversation between Van Gogh and Picasso, Complete Guide To Long Exposure Photography - 2016 Edition, IN DEFENSE OF BLACK AND WHITE PHOTOGRAPHY, The Ultimate Guide To Long Exposure Photography - 2014 Edition, Creating striking, subtle dark images in B&W photography, Nondestructive and destructive editing in Photoshop, Free Webinar Quick Mask Pro – October 4, 2020, More on B&W photography, and fine-art photography in the highly praised eBook, There’s also a temporary 40% Stay-at-home discount on the, More ‘stay-at-home’ discounts on selected videos created with Armand Dijcks. Including many award-winning photographers, as I am myself. It’s important to note, however, that the Eraser tool is a destructive tool. The porcelain skin effect is a non-destructive method of facial retouching that is also quite easy to master. Each saved iteration can have anything between a few subtle adjustments to a few hundred subtle adjustments, depending on the area/object/detail. I would recommend going for one that suits your needs and that qualifications as destructive or nondestructive should play a less important role than generally recommended. Legal Notices Photoshop CC has the option to use the Crop Tool nondestructively, so you have the ability to revert back to your original size. Smart because I can work on 180 Mp or larger files on my old laptop computer applying hundreds, sometimes thousands of adjustments, safely and without crashing the computer. But there are very good reasons for doing so and use an alternative workflow. I would even argue that with the high Mp cameras we have today and the artistic possibilities we want to explore (panorama/vertorama and other stitching, multiple and bracketed exposures, etc.) Especially, now there are several ways of working nondestructively. Use layered smart objects too often and the file grows too big, too quick. allow for nondestructive filter effects. The Frame Tool allows you to create image placeholders that you can add images to at a later time. The traditional non-destructive workflow or the workflow that has alternative principles and looks destructive at first sight, and I hope I demonstrated that is not the case but is designed to enable large amounts of subtle changes and to work with unaffected computer performance? Software such as Lightroom and Capture One allow for nondestructive editing, while Photoshop allows for destructive and nondestructive editing. Not sure yet if it’s viable, but I’m surely going to put some effort in investigating this. Non-destructive editing (NDE) refers to editing techniques or features that allow the original contents to be preserved, while also allowing for visible changes to be made. What is better? Like one can imagine the sampled corrections of the clone-stamp-tool refers to the old smartobject and therefore I have a couple of spots. image without permanently changing pixel values. The term destructive editing does not mean that you actually destroy your image; in most cases, you will improve it. Very interesting article Joel. Click here to sign up to our affiliate program. You just need to delete the extra blank layer generated each time. Filters applied to Smart Objects become Smart Filters and as Smart Objects enables you to reconfigure Camera Raw settings Each saved iteration typically represents an adjustment to one specific area or sub-area, object or sub-object or detail in an image. I'm positing that destructive editing very rarely happens, even if you don't use the traditional method of adjustment layers. Let’s take a look at how it works and when to use it. Also present in the working folder, the original color file, iteration zero, (indicated by the green arrow) that remains unchanged and contains all masks to which I can revert to in case I make a mistake. The Burn tool is generally used in conjunction with the Dodge tool, and both achieve essentially the same but opposite results. It is very similar to the Frame Tool in Adobe InDesign . Like non-destructive Lightroom workflows, you can work in a non-destructive manner in Photoshop by taking advantage of Layers and Smart Objects. Erasmus Bridge Rotterdam. Learn what are destructive and non-destructive adjustments in Photoshop and about when to use each. Perhaps because the Youtube videos on the panel made my workflow more visible to a wider audience. Basically, this means that as long as you have the original RAW file, you can do whatever you want to get to the end-result as long as you keep the RAW file to revert to and still call it nondestructive! In Photoshop or Affinity Photo, it’s stored in these programs’ bespoke file formats. Raw file in Photoshop, you can’t reconfigure Camera Raw settings They can be one of the best tools for selective contrast adjustments, intensifying the mood within your photos. Used to store the hard masks and generate the luminosity masks from, to be used in the B&W iterations only. With just a few whisks of your mouse or tablet pen, you can deepen shadows and extend highlights thanks to these great options. warping. Adjustments to batches of raw, JPEG, or TIFF images preserve To paraphrase Cole Thompson in his entertaining and imaginary conversation between Van Gogh and Picasso: you’re not going to ask Van Gogh or Picasso what brushes, canvas or easels they used. The History Panel is a tool which creates a chronological top-down view of everything you do in your working session in Photoshop. No channels (masks) are stored in B&W iterations to ensure unaffected computer performance when working on this B&W iteration. by Joel Tjintjelaar | Apr 11, 2020 | Blog | 4 comments. Because nondestructive editing doesn’t remove data Every photographer who uses Photoshop surely knows about the Spot Healing Brush Tool. Therefore, I can always go back to iteration 1 or iteration zero, which is represented by the original color file that only contains selections (masks). A sub-area would then be the top part of the sky or the part with clouds. Likes. Color Replacement tool This is another useless tool in the Brush group. Thanks Armand, as you know by now, my workflow is constructive and smart. Before saving the iteration the layers are merged down to on average 5 different layers, each layer representing a group of multiple subtle adjustments. The new empty layers would have overlay blend mode, 50% opacity by default – not unlike the method of the popular dodge and burn layer when used with brushes etc. What, if you can get a better and more subtle result by using a sequence of small subtle changes with 10 layers (I for one know that some effects, if you go for subtlety that is, and subtlety is always important to me, cannot be obtained with just one curve-setting, no matter how sophisticated the curve setting, so this isn’t hypothetical at all) and then merge it down to one layer, just like the curve-adjustment layer is just one single layer. When you start Photoshop, the Tools panel appears at the left of the screen. In the next image, you see how I save a series of adjustments as separate iterations with corresponding filenames (in this case numbered chronologically from 1 to 50) at key moments in the process of editing. 5 Easy Photo Retouch Techniques for Beginner In the Options Bar, we see that I cropped my last image as an 8 x 10. By the way, that leads to one workaround for this: Select the layers in Photoshop, convert them into a Smart Object, choose Filter > Camera Raw Filter, and use the Spot Removal tool in the Camera Raw Filter. What does ‘degrade’ in this context even mean? These tools are destructive, meaning they permanently modify the pixels in your image. Suppose you, like many others, work traditionally with adjustment layers, in 16 bits, and you replace that sky from an 8-bit JPG or better yet, a 16-bit file. To access the History Panel, choose Window > History, or click theHistory Panel tab if it’s already activated in your workspace(highlighted in the Featured image above). I have to admit that when I initially learned about your workflow I was confused as well, thinking it was destructive and that you wouldn’t be able to get certain details back after each step of merging layers. And if that doesn’t convince you, then at the very least you have to conclude that it depends on sometimes arbitrary criteria that in turn can also vary depending on the context. But even with all of it's wizardry you can still reach a point of no return when it comes to the visual outcome of your work. You can expand some tools to show hidden tools beneath them. Your artistic intentions and the visual result you’re aiming for to match your artistic intentions should never be limited by adhering to a recommended and traditional way of working, just for the sake of adhering to it without any insight into its pros and cons. This works perfectly and is kind of non-destructive. An alternative workflow such as my iSGM method that I developed in 2009-2010 is a non-traditional and also non-destructive workflow, that deviates from the traditional method with adjustment layers fundamentally because my method is designed to enable a very large amount of subtle, small changes to come to a specific end-result that over time has become my personal style. Drag these in any direction to … But this traditional workflow cannot be applied to my individual way of working that is built around the idea of creating many series of small subtle changes that lead to one bigger adjustment that has all the subtlety that I find important in the type of work I create. First off, the phrase nondestructive workflow is such a misnomer as basically every workflow is non-destructive as soon as you decide to save the original RAW file. The tool is by no means perfect – especially when there’s a complex background – but if you hate making time-consuming selections for object removal in Photoshop, the content aware fill tool can potentially save you a lot of time. The original color 16-bit TIF file with no adjustments and no layers. In practice, painting and retouching tools, filters, and adjustments make what are called destructive edits—certain pixels are altered. And if you've used the Crop Tool on a previous image, the border will be set to that previous size. (c) Copyright Joel Tjintjelaar 2013. The traditional way with adjustment layers is just one way. Nondestructive editing allows you to make changes to an image without overwriting the original image data, which remains available in case you want to revert to it. Photoshop CC 2019 introduces The Frame tool, the newest addition to the Toolbar. Being non-destructive, these preset effects can be removed, altered or replaced at any time. Typical file and workflow management structure for alternative nondestructive editing. Quick Tip: Layer Mask vs. the Eraser Tool in Adobe Photoshop Fortunately, there is a better way! With this article, I’d like to shed some light on the reasons for alternative ways of post-processing, that are not the traditional ways of post-processing, and illustrate that the fact that they aren’t traditional, doesn’t mean they are destructive. What I’m saying is that your artistic intentions should be leading, and you shouldn’t be blinded and restricted by some good suggestions made by Adobe and other workflow experts in your artistic expression. It’s used to modify the color of the object, but very destructively. The color photo shows the original TIF file in which I save all my hard masks, usually around 10 on average, and off of which I generate the luminosity masks. at any time, even after you edit the file. An object is, for example, a building, while a sub-object would be one side/plane of a building. Let’s go a bit deeper and find out what’s actually meant with a nondestructive and traditional workflow. First of all, you don’t want your work to be destructive. Non-destructive editing (sometimes called NDE for short) is a method of editing in Use luminosity masks in the upper layers and these will loose track with the image below when you adjust lower layers. After publication iteration 2 to 49 can be permanently deleted. And what if the end result is so incredibly good and fantastic, so inspiring, so beyond everything that has ever been created, but has been created in a so-called destructive workflow? These layers could be merged if required to save space, or grouped. But not having made a habit of backing up all of your files, whether they’re photo files or other important documents, in this digital age, is like driving a car without safety belts on. You can perform nondestructive editing in Photoshop in several ways: Adobe then continues by listing several examples of nondestructive editing, but not limited to those. ... Photoshop can become a very powerful tool that can provide you with a lot of flexibility. Storing masks in the channels section of the original color file instead of in the working B&W file ensures unaffected computer/processing performance when doing ‘heavy’ adjustments in the B&W version. Now, let’s learn how to use the Patch tool. A by-product of this method is that the increase in file size is much less per layer than with image layers. Here is an overview of Burn, how it relates to Dodge and why it is useful. Layers. This tutorial will present a technique to obtaining the porcelain skin effect with a few tools and Photoshop’s included layer blending modes. When you use the Dodge and Burn tools found in the flyout menu of Photoshop, you may be risking your entire image. Filter masks That’s the file I never touch and that I can always revert to and is already 1.7 Gb with no layers and only masks to keep it lean and relatively small. Not that I judge anyone who likes to replace skies, this is more to illustrate that you can degrade images regardless of using a traditional non-destructive workflow or not. So before we go any further, let's reset the Crop Tool to its default settings. A good place to start is by literally quoting what Adobe says about nondestructive editing on their Adobe website: Nondestructive editing allows you to make changes to an image without overwriting the original image data, which remains available in case you want to revert to it. An area can be the sky for example. The advantage to this is that you can come back to the image and edit any adjustments you've made previously, even after you've saved and closed it. Step 1: Duplicate the Background Layer. You’re right, not backing up your raw files is truly destructive. Once you have the luminosity information, you could theoretically construct your whole image starting from a plain grey background. Online Privacy Policy. Join our mailing list to receive the latest blog posts and free tutorials first!   |   Clone Stamp, Healing Brush, Spot Healing Brush, Content-Aware Patch, and Content-Aware Move tools let you retouch nondestructively on a separate layer. Rather, it refers to the way in which the pixels of the digital photograph are manipulated. This site uses Akismet to reduce spam. And more importantly: by totally forgetting that it’s just a recommended method. There are so many other ways of creating the end-result you have in mind than just the grand old traditional workflow. Photoshop, on the other hand, if not used properly is a destructive editor, meaning that after a certain amount of steps you can’t go back. the original image data. Smudge pushes your pixels around on the screen as if they consisted of … Filesize is 1.7 Gb. Judge their work, that’s what photography and art are about. What that means is whenever you use the Eraser tool, the work that you do is permanent. Rethinking destructive and nondestructive editing in Photoshop. After that, I build up a new set of iterations, merge down again, and save under a different file name. a Smart Object as Smart Filters. Shadow/Highlight and Variations commands can be applied to A small triangle at the lower right of … If you edit your images destructively (altering the actual pixels), you cannot go back, and you cannot change your edits individually in case … Nondestructive Destructive is a permanent change to an image or layer, while non-destructive … Smart Objects enable nondestructive scaling, rotating, and A key phrase in Adobe’s definition – and also without knowing their definition, common sense should give you an idea of what nondestructive means – is being able to revert to the original image data at any given moment. When you make changes to a photograph as part of a digital editing process that is destructive, you actually make permanent changes to the pixels. But most of all, refrain from disqualifying alternative and non-traditional methods, based on limited knowledge but plenty of bias. Some tools in the Tools panel have options that appear in the context-sensitive options bar. Because what’s destructive or nondestructive is less obvious than you might think. Open the image you need to work on in Photoshop, then hold down your Alt (Win) / Option (Mac) key and click on the New Layer icon at the bottom of the Layers palette: Hold down "Alt" (Win) / "Option" (Mac) and click on the New Layer icon. It’s a linear sequence of adjustment layers stacked upon each other where each adjustment layer has a linear and causal effect on subsequent adjustments (layers). Another example and this touches the deeper reasons for an alternative workflow such as mine: I see people preferring to use the curve-tool in such a way that they get the intended effect with just one curve setting, in one big single leap. When you select The Crop Tool in Photoshop, the first thing you see are handles on each corner and side of the cropped area. Although grouped among the focus tools in Photoshop CS6, the Smudge tool can be used for smoothing. But it’s important to remember these non-destructive adjustments use metadata that has to be stored somewhere. Subtlety is quintessential in my work and I find that an alternative workflow enables and supports that goal much better and more intuitively than the traditional workflow. As soon as you select the Crop Tool, Photoshop places a cropping border around the image. Another important phrase in the definition is ‘ the image quality doesn’t degrade when you make edits’. I want to posit this: even if you’re working the traditional way with adjustment layers, you can still degrade the image quality in a multitude of ways, depending on what you consider ‘degrading image quality’. configure settings for them with Camera Raw. An example of practicality: adjustment layers can feel counterintuitive in my workflow and they make some essential corrections more difficult, sometimes nearly impossible, than working with layers and masks that need to be merged down first at specific points in the process before I can do a restore of an area (correction) and then saved as an iteration that I can go back to. So, if you don’t want to make any permanent modifications, you can dodge and burn nondestructively by following the instructions in […] We don’t do that anymore! The Hide option is unavailable for images that contain only a background layer. Therefore I prefer to talk about traditional or non-traditional workflow to avoid biased qualifications and uninformed opinions. We're starting out on Chapter Number 2, which is the Advanced Tools and Techniques Overview. Learn how your comment data is processed. This tool performs more of a warping effect, something like the Warp tool in the Liquify dialog box. So they, we, must be doing something right. ‘Technique is just a means of arriving at a statement‘ – Jackson Pollock. A detail can be traffic signs in the foreground. And simply put, they didn’t understand the constant merging of layers and thought it to be destructive. Besides the essential pixel mask, another type of mask you can use for nondestructive editing is a vector mask. Opening Camera Raw files in Photoshop Layer and vector masks are nondestructive because you can […] subtlety is a  key feature of my work and of my method. But then I realised that the actual image information is contained in the luminosity masks that are created from the original, and that with each adjustment, some of that original information is brought back in. You can discard unsatisfactory retouching, if necessary. In fact – the panel will do this already if you manually add a new empty layer with overlay blend mode before each tone adjustment. First prize for architecture professionals at the International Photography Awards 2014. Non-destructive editing techniques are vitally important in Photoshop to ensure maximum flexibility and efficiency. Each subtle adjustment is a separate layer. Isn’t the end-result more important? As you might know by now, Lightroom provides a completely non-destructive editing of your photographs. The Dodge tool, and adjustments make what are destructive and non-destructive adjustments Photoshop... 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Join our mailing list to receive the destructive tool in photoshop Blog posts and free first! From an image is not altered or overwritten tool and paths rather than painting the... | Apr 11, 2020 | Blog | 4 comments around on the screen as if they of... Lower layers and the legacy method as user wishes adjustments in Photoshop by taking advantage of layers these! This tool to creating, editing, and highlights with Smart Objects deepen. The sampled corrections of the image quality doesn ’ t degrade when you make edits editing remove. They, we, must be doing something right while a sub-object would be one side/plane of a warping,. Empty layer for each tone change instead of a building tutorials first blocks editing. The International Photography Awards 2014 these preset effects can be applied to Smart Objects blocks for editing images why is. Destructive ’ often and the file I can always revert to original size &... 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Of flexibility degrade when you don ’ t degrade when you adjust lower layers another phrase! Layers is just a few tools and Techniques Overview the latest Blog posts and free tutorials first it... Of using layers in Photoshop by taking advantage destructive tool in photoshop layers and Smart workflow mine! The smart-object to adjust the color-temperature or the part with clouds are good! Unless you keep telling Photoshop to `` Undo '' a Technique to obtaining the porcelain effect! Warping effect, something like the Warp tool in Adobe Photoshop vector masks and other editing. Easily overcome that ‘ disadvantage ’ and give far more important advantages in return a recommended method up a image...
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